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Currently in theaters, “The Oslo / Dreams Trilogy” by Dag Johan Hauger has a medium press of 3.8 out of 5.
After being noticed at the Mostra of Venice and the Berlinale, the trilogy of Oslo / Dreams, the first part of the Oslo trilogy of Dag Johan Haugerud, was released this week in our dark rooms. This drama carried by Ella Øverbye and Selome Emnetu will be followed, on July 9 and 16, out of love and desire, which also describe with delicacy human and intimate relations today.
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What is it talking about?
Johanne falls in love for the first time in her life, her teacher. She relates her emotions in a notebook. When her mother and grandmother read her words, they are first shocked by their intimate content but quickly saw literary potential. While they wonder, between pride and jealousy, on the opportunity to publish the text, Johanne is struggling between the reality and the romantic of her history …
What the press thinks:
According to cinema abuse:
“And in the end, with as much perspective as in malice in the questions asked,” dreams “appears as a universal work, which summons an optimistic humor and which even manages to treat with social subjects under the fire of the news.” By Olivier Bachelard – 5/5
According to Band apart:
“Dreams troubled by the right look he has on love loneliness.” By Hélène Robert – 4/5
According to Critikat.com:
“The first merit of the filmmaker-romadant is to consider that banality is paradoxically a source of singularity and that the tiny variations in everyday life are worth lingering.” By Marin Gérard – 4/5
According to La Tribune on Sunday:
“We will not reveal how, but the filmmaker thwarts with great skill the trap of the social film on potentially prohibited loves. He then focuses on his heroine who struggles between experience and the romantic.” By Aurélien Cabrol – 4/5
According to Le Figaro:
“In this first part, a high school student falls in love with his French teacher. A subject filmed with melancholy and sweetness.” By Eric Neuhoff – 4/5
According to the Sunday Journal:
“A talkative and touching film, simple and complex at the same time, which captures with acuity and delicacy qualifiable as feminine her emotions like the share of fantasies that this first love contains.” By bap. T. – 4/5
According to Le Parisien:
“The director follows these figures of mother, grandmother, taken between pride and jealousy. It is far from being talkative, each word is counted, precise, clinical.” By writing – 4/5
According to first:
“Of an impressive fluidity, this story brilliantly explores the thousand and one ramifications which make a love story through female characters exciting with complexity and paradoxes.” By Thierry Chèze – 4/5
