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Carried by Brad Pitt, in front of the director of the director of “Top Gun: Maverick”, “F1” quietly seizes the France box office among the new features of June 25, and signs the fifth best start of 2025.
1st day France of June 25, 2025
1 – F1: 158,653 entries (including 63,635 in AVP)
2 – Amélie and the metaphysics of the tubes: 11,951 entries (including 4,817 in AVP)
3 – The big trip: 7,984 entries
4 – M3GAN 2.0: 7,779 entries
5 – At the rhythm of Vera: 4,393 admissions (including 3,161 in AVP)
6 – Angel: 2,941 entries (including 1,621 in AVP)
7 – Once Upon a Time in Gaza: 2,416 entries (including 1,004 in AVP)
8 – Stranger Eyes: 1,271 entries (including 966 in AVP)
9 – reflection in a dead diamond: 744 entries
10 – Under hypnosis: 458 admissions (including 288 in AVP)
11 – The thirst for evil (Recovery) : 147 entries
12 – My Stolen Planet: 66 entries
13 – Flash Drive: 7 days
Retain
The advantage with a film like F1it is that all the word games related to box office expressions are legitimate. As the notion of starting. And on this level, the feature film has left on the hats of wheels with 158,653 entries (including 63,635 garnered during the previews), which allows him to take the pole position of the outings of June 25, with a score thirteen times higher than that of his dolphin, and to sign the fifth best start of 2025, before Minecraft and behind mission: the final reckoning, Dragons, God Save the Tuche and Lilo & Stitch.
The film directed by Joseph Kosinski, however, is twice as well as Top Gun: Maverick, released at a slightly less competitive period (the end of May) and conducive to good weather, and which benefited from the aura of the first part. Without counting the proximity of the Cinema Day (from June 29 to July 2), of which many spectators will perhaps want to take advantage to discover the feature film. Which can nevertheless target the three million if he manages not to weaken as the opus had done with Tom Cruise in 2022.
Very far in its rear view mirror, F1 can see Amélie and the metaphysics of the tubesanimated adaptation of Amélie Nothomb's novel which, well helped by the previews and the positive echoes from the Annecy festival, climbs on the second step of the podium, in front of a duo composed of the Large trip Jean-Pascal Zadi and M3GAN 2.0which finish bumper against bumper, with a slight advantage for the French spatial comedy on the terror film produced by Blumhouse, even if it leaves very far from the 42,090 torn tickets for simply black.
Two films which could also take advantage of the reduced prices of the Cinema Festival to accentuate the curiosity of the public and thus refuel, to afford a beautiful first week. And the demonstration could also benefit from more sophisticated feature films such asTo the rhythm of Vera,, Angel,, Once Upon a Time in Gaza or the sublime Reflection in a dead diamondpassed by the last Berlin festival and which signs the second best average per copy among the new features, with 149 spectator per screen against 275 for F1, in pole position there too.
Figures: CBO – Box -Office
