Shane Black’s good people, Starring Ryan Gosling and Russell Crowe, is a comedic tribute to classic L.A. movies Chinatown, who Framed Roger RabbitAnd LA Confidential In which undercover spies uncover far-reaching Machiavellian conspiracies that have serious implications for the future of society.
Whereas good people Foregrounding Black’s entertaining homage to the genre over more serious cautionary topics, the writer/director still makes a point of condemning greedy and short-sighted institutions — in this case, those that have accelerated climate change. In an era when billionaires and oligarchs have brought us to the financial and ecological brink, good people And its cinematic precursors feel more relevant than ever.
following a sacred tradition
Like Chinatown, big sleepand other complex noir classics, good people It uncovers a nefarious scheme by a shady cabal of rich and powerful people. In ChinatownThe plan involved the illegal passage of water to Los Angeles, making its rapid growth possible. LA Confidential Based on LA police corruption and brutality, which was a raw issue in the 1990s when the film was made. And although the So-Cal oil fields are not the central theme – as they there will be Blood And Chinatownsequel of, two jacks – Flowing black gold is a shadow player. During the climactic shootout at the Victory Motel, the ominous Baldwin Hills Pumpjacks are howling into the night in the background.
another example, who Framed Roger Rabbit, Dramatizes the real-life destruction of the public road car system in favor of the private automobile and the rise of the L.A. freeway system. In that film, Judge Doom (Christopher Lloyd) makes a terrifying prophecy of a fantastical land of gas stations, motels and billboards “as far as the eye can see.”
Shameful Hollywood also often plays a significant role in L.A. detective stories, helping to highlight the moral decadence depicted by the genre. In LA ConfidentialDetective Vincennes (Kevin Spacey) is a dishonest consultant dragnet-style cop show, while sex workers like Lynn Bracken (Kim Basinger) get plastic surgery to look like movie stars. who Framed Roger Rabbit It takes place in a scandal-ridden entertainment world where cartoon stars like Jessica Rabbit interact with humans. Hollywood’s sharpest film noir ever, Sunset BoulevardSuggests that the movie business will either drive you crazy or leave you floating for dead in the pool.
To make true, in good peopleThe adult film industry features prominently in the story Boogie Nights) Although at least some artists are dedicated activists trying to use porn for the greater good. It is the government and corporations that remain the real villains.
Although most of these films take place before or just after World War II, good people The set is set a few generations later, in the late 1970s. Thus, it dramatizes the natural outcome of those events. Chinatown And other movies foreshadow. This is an age of filth and smog in which oil and automobiles and freeways and corruption have been allowed to grow and flourish (blade Runner, with its ruined LA, took this conceit too far). In all of these films, evil entities avoid accountability for what goes wrong while average citizens don’t stand a chance against the monolithic forces stacked against them.
In good people, the average citizens are represented by Holland March (Gosling), a private investigator who drinks alcohol foolishly over his wife’s death, and his 13-year-old daughter, Holly (Angourie Rice) who makes sure she gets the job done. But whether he should go or not. Don’t drown in the tub. March tangles with low-level enforcer Jackson Healy (Crowe), who continues to hit on him until they discover that both of them are assigned to find a young activist, Amelia Kuttner (Margaret Qualley). Has been kept, which has run away from sinister parties.
In classic buddy movie style – a Shane Black specialty – their reluctant partnership is born as they uncover a conspiracy that involves the adult film industry, crooked US Justice Department officials and three big Detroit automakers. These last two are colluding to avoid environmental regulations that would reduce pollution, an issue, the film astutely points out, we probably should have done more about 50 years ago, before it was too late.
Shane Black and LA Detective Noir
Black began his career by writing screenplays. lethal Weapon, an ’80s classic and a great Los Angeles movie (despite countless sequels and remakes). it comes full circle good people with a hint of lethal Weapon The film opens with a panoramic view of glittering Los Angeles followed by the mysterious death of a porn star.
lethal Weapon The script was so hot that Black sold his next L.A. buddy-action script, The Last Boy Scoutfor a record at that time, The Last Boy Scout However, there was no classic, and the script that followed long kiss goodnightDespite being well-respected, the film was not a hit. Black’s profile remained low for the better part of a decade. Not surprisingly, his return (also his directorial debut) was another L.A. neo-noir buddy-action film, kiss Kiss Bang BangDowney has attributed it as his comeback film, with Val Kilmer and Robert Downey, Jr. leading the way. iron Man, In return, he helped Black get the directing job iron Man 3which probably gave Black substantial industry status good people In an era when studios create almost nothing but franchise entertainment.
The noir portrait of the washed-up private detective is at the center of much of Black’s work. Before Holland March, Black puts private eyes at center stage The Last Boy Scout (Bruce Willis), long kiss goodnight (Samuel L. Jackson), and kiss Kiss Bang Bang (Kilmer). but it wasn’t until good people that it began to circulate more prominently Chinatown and other classics that had a more serious thematic purpose.
good people Does not share seriousness of purpose at all. Black is more interested in playing with narrative and visuals he knows inside and out (the film even has a banging soundtrack). True to the genre, the plot’s revelations emerge from a labyrinthine and overwrought plot that threatens to derail. But even if we occasionally forget what’s going on, Black’s obvious joy in the material keeps us entertained and he’s not about to let us down.
end of both Chinatown And LA Confidential are depressing, bordering on nihilistic, and Black would like to keep the focus where it’s always been: on the warm relationships between male friends. Thus, good people ends the same as kiss Kiss Bang BangTeaming up with initially reluctant partners for more adventures.
good people It also represents a leap for Black in terms of art direction. They get movie star performances not only from Crowe and Gosling, but also from Rice and Qualley (who will get a juicy role in another L.A. love letter, Quentin Tarantino). Once Upon a Time in Hollywood, Black’s work, full of testosterone like all film noir, sexualizes and objectifies women, particularly the femme fatale figure – and good people There is no exception. But while Qualley plays the femme fatale here, Black updates the figure. Amelia has become sexual due to her involvement in porn, but her character is just using it to expose criminal institutions. Meanwhile, Holi is helpful in solving the mystery.
Basinger is another strong female character in the film. He and the Crow represent Black’s tribute LA Confidential, in which Crowe plays crooked police enforcer, Bud White. his character in good people Might be white 20 years later, gone to sow the seeds, still beating people silly for money. Basinger, on the other hand, had to leave behind the stereotypical whore with a heart of gold, for which she won an Oscar LA ConfidentialTo play the role of a powerful Justice Department official.
Ryan Gosling and LA movies
Gosling’s character is also an homage. Holland March remembers Hollis Mulwray, the central figure ChinatownThe mystery of, as well as Holly Martins, the pulp novelist played by Joseph Cotten in the classic film noir, third man (which Black used as a nickname), after To drive, good people, La la LandAnd blade runner 2049Gosling himself, among others, has become almost synonymous with L.A. films and their obsession with the geography and myth of the metropolis. Like most L.A. stories, Gosling’s films fall into two categories outlined by Mike Davis in his seminal book city of quartz: those who promote LA as an ideal paradise (La la Land, and those that expose its authoritarian dominance and seedy weakness (br 2049, To drive,
good people Falls somewhere in between. Pollution, corruption, addiction and loneliness are well represented, but as Black’s previous work has shown, he’s so enamored with a romantic ideal of L.A. that he can’t paint glossy pictures of it. Gosling’s presence helps balance the tone of the film. If the crow is heavy, represents skepticism LA ConfidentialThen Gosling’s comic chops help keep things light (they didn’t put him in barbie for free). And Black allowed the actor to fool himself. During a scene when March drunkenly discovers a dead body, Gosling feels like the entire world is broadcasting vintage Chevy Chase.
This style maintains contemporary relevance
one of ChinatownThe most disturbing moments come when the private eye, played by Jack Nicholson, confronts the villain, Noah Cross (John Huston), and asks him, “Why are you doing this?” How much better can you eat? What can you buy that you can’t already afford?” Cross replies, “The future, Mr. Gittes! The future!” In this way, Chinatown Was a visionary. From our vantage, Cross is no different from the tech billionaires trying to reshape Our The future according to their rules – and, like the cross, turning away from it.
In good people, Basinger’s Big Bad proclaims, “What’s good for Detroit is good for America.” We can only marvel at the irony that automobile smoke has brought the planet to the brink. But while mocking the genre, happily embodying its form, good people Makes harsh realities a little easier.
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